In Chanel Number 2, a masked vendor in a yellow tracksuit stands before a sky-blue backdrop, selling shoes, bags, and a fake Chanel tote. The scene feels playful, but it cuts deep. The painting challenges the illusion of luxury, revealing how high fashion is built on unseen labor and raw materials often extracted from African soil. The knockoff tote becomes a quiet rebellion, a symbol of survival in a world where branding holds more power than the hands that made it. Behind the mask is a question: who really profits, and who is left invisible?